Painting Demonstration 1
Notice the photo has practically no warm colors, but just looks faded. The white glaring highlights of midday are gone, shadows are softer, but the photo really doesn't show much of any of that. It just looks faded. That's why we sketch in real life when we can!
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Painting Demonstration 2
Start with a very light pencil tree sketch. Focus on just a few trees. I sketch the big oak on the left and the huge tulip poplar on the right. I just lightly block in where the pines are. They're background, not the main subject.
Painting Demonstration 3
I start with quinacridone gold on all the trees. I'm not worried about preserving whites much since the strong whites of midday are gone. But I don't want yellow in my underpainting since that would make the blue sky green, not a vivid blue. I want the gold to glow under the shadows on the trees. It's really the color tying this painting together!
Artist's Tips
Keep your brush very loose at first.Don't feel like you have to cover the paper - leave lots of white space!
Painting Demonstration 4
The gold dries quickly – not so much the bright sunlight as the brisk wind! Brrr... I paint the sky blue. I use cobalt blue and a little dash of pthalo blue. Remember that pthalo blue is a strong pigment that you just need a touch of to change the color. I paint around a lot of the gold trees. I don't want them green either!
Painting Demonstration 5
After the blues have dried a minute, I start adding shaping my subjects. Faded greens from quinacridone gold and cobalt blue in the pine tree background. I don't want the bright like midday, I want faded brownish greens. Cobalt is rather a chalky blue so it fades rather than brightens colors.
I start some purples (cobalt, quinacridone red and burnt sienna) on the tree shadows. I scuffle around with drybrush to get the rough bark texture.
Painting Demonstration 6
I pull out my rigger after the big trees are started. I'm just dashing tall trees in with purple and gold. Not much variations in color, but the colors mix together in interesting new combinations. I do leave some whites, but not too many. Layers of purples and golds start creating a forest, especially with the pines.
